Working hot shop · est. 2018

hot glass,made still.

A working hot shop and gallery where molten glass becomes vessels, sculpture, and light — blown by hand, sold as originals, taught in small classes.

Glassblowing Furnace MoltenMolten Glass Gather
● firing now · 2100°F
01

The hot shop

Molten glass moves through four rooms before it leaves.

/ 01

Gather

The first gather — molten glass on the end of a blowpipe, straight from the furnace.

2100°F · furnace
/ 02

Blow

Air through the pipe inflates the gather into a bubble, then into a vessel.

breath · shape
/ 03

Anneal

Slow cooling from 900°F to room temperature, so the glass doesn't crack.

900°F · 12h
/ 04

Cold work

Grinding, polishing, and etching once it's cool — the final, patient pass.

cool · precise
02

Everything but the heat

A studio that does more than blow bubbles.

Working furnace

A real 2100°F furnace, running seven days a week and open to watch.

Original pieces

Every vessel and sculpture is a one-of-one, signed and dated.

Small classes

Hands-on teaching, six students to a bench, never a screen.

Lighting editions

Numbered pendant and lamp runs, released to the list first.

A gallery, too

The current show and a growing archive of work we've let go.

Visiting masters

Residencies and masterclasses with artists from around the world.

03

The color spectrum

The same glass, at every temperature it passes through.

molten amber
furnace rose
goldenrod
violet
cobalt
deep sea
mint
clear
05

The blow, slowed down

One gather, one breath, one frame at a time.

Glass Blowing Fire Furnace
still · shot in the hot shop
06

Four pieces

The collection, in a row.

Amber Glass Vase
one of one

Amber vessel

A hand-blown vase in furnace amber, walls thin enough to glow.

vessels
Blue Glass Pendant Light
edition of 12

Cobalt pendant

A blown shade the color of deep water, lit from within.

lighting
Glass Sculpture Abstract
gallery

Sculptural ring

Solid work — a loop of glass that catches light and bends it.

sculptural
Purple Glass Bowl
one of one

Violet bowl

A low bowl in deep violet, cold-worked to a satin finish.

vessels
Glassblower Artist Portrait
First gather of the morning.
From the desk of Elias Voss

Most people see finished glass. We live in the minute before it's finished.

I learned to blow glass in a hot shop with a cracked floor and a furnace that ran cold on Mondays. The first thing they teach you is that the glass decides. You suggest, it answers.

Every piece on this site spent twenty minutes as a liquid, glowing orange, at the mercy of a pair of lungs and a steady hand. Then it spent twelve hours cooling, and a few more being ground and polished. What you hold at the end is the quiet after all that heat.

So here's the invitation: come watch a gather. It takes thirty seconds, and you'll never look at a drinking glass the same way again.

Elias VossFounder, GLASS
07

By the numbers

Live, from our backend.

4.1k
pieces blown
38k
studio hours
1.9k
students taught
7
furnace days a week
08

Held and loved

From collectors and students.

★★★★★

"I own the amber vase from the spring show. It's the only thing in my apartment that makes me slow down and look."

Renée C.Collector
★★★★★

"The beginner weekend ruined store-bought glass for me. Now every tumbler in my cabinet has a story and a signature."

Tom H.Student
★★★★★

"We commissioned a pendant for our kitchen. It throws light like the room remembers the furnace."

Aisha & BenClients
09

The roadmap

Where we're going.

Q3 2026

The studio and gallery are live, with a first run of numbered lighting editions.

Q4 2026

A second furnace and a visiting-artist residency program.

Q1 2027

Public glassblowing archive — every piece photographed and catalogued.

Q2 2027

The glass. hardware series: a limited lamp built around a single blown shade.

10

Questions, answered.

Is the studio open to visit?+
Yes. The hot shop is open to watch during gallery hours, and we run open-studio nights every month.
Can I buy a piece directly?+
Most pieces are one-of-one and sold through the gallery or the list. Editions are announced to the waitlist first.
Do I need experience for a class?+
No. The beginner weekend assumes nothing. The only requirement is closed-toe shoes and steady nerves.
What happens to a piece if it cracks?+
Annealed glass shouldn't crack — but if a piece arrives damaged, we'll make it right. Every piece is signed and insured in transit.
Is there a membership?+
No membership, no subscription. You join the list to hear about editions and shows first, and that's it.
Can I commission something?+
Yes — we take a small number of commissions each season for vessels and lighting. Reach out on the contact page.

Come watch it glow.

hot glass, made still.

You're in — we'll email you at launch.