
Amber vessel
A hand-blown vase in furnace amber, walls thin enough to glow.
A working hot shop and gallery where molten glass becomes vessels, sculpture, and light — blown by hand, sold as originals, taught in small classes.


Molten glass moves through four rooms before it leaves.
The first gather — molten glass on the end of a blowpipe, straight from the furnace.
Air through the pipe inflates the gather into a bubble, then into a vessel.
Slow cooling from 900°F to room temperature, so the glass doesn't crack.
Grinding, polishing, and etching once it's cool — the final, patient pass.
A studio that does more than blow bubbles.
A real 2100°F furnace, running seven days a week and open to watch.
Every vessel and sculpture is a one-of-one, signed and dated.
Hands-on teaching, six students to a bench, never a screen.
Numbered pendant and lamp runs, released to the list first.
The current show and a growing archive of work we've let go.
Residencies and masterclasses with artists from around the world.
The same glass, at every temperature it passes through.
Shot where the heat actually happens.






One gather, one breath, one frame at a time.

The collection, in a row.

A hand-blown vase in furnace amber, walls thin enough to glow.

A blown shade the color of deep water, lit from within.

Solid work — a loop of glass that catches light and bends it.

A low bowl in deep violet, cold-worked to a satin finish.

I learned to blow glass in a hot shop with a cracked floor and a furnace that ran cold on Mondays. The first thing they teach you is that the glass decides. You suggest, it answers.
Every piece on this site spent twenty minutes as a liquid, glowing orange, at the mercy of a pair of lungs and a steady hand. Then it spent twelve hours cooling, and a few more being ground and polished. What you hold at the end is the quiet after all that heat.
So here's the invitation: come watch a gather. It takes thirty seconds, and you'll never look at a drinking glass the same way again.
Live, from our backend.
From collectors and students.
"I own the amber vase from the spring show. It's the only thing in my apartment that makes me slow down and look."
"The beginner weekend ruined store-bought glass for me. Now every tumbler in my cabinet has a story and a signature."
"We commissioned a pendant for our kitchen. It throws light like the room remembers the furnace."
Where we're going.
The studio and gallery are live, with a first run of numbered lighting editions.
A second furnace and a visiting-artist residency program.
Public glassblowing archive — every piece photographed and catalogued.
The glass. hardware series: a limited lamp built around a single blown shade.
hot glass, made still.